Verse
F#
Did you forget it's a bus ride
D#m
Or are you dressed up for somebody to care?
B Bm
There's somewhere to be
F#
Ain't there?
Doomed to your configuration
D#m
Or that there's water in your shoes
B Bm F#
And someone in your arms
[Chorus]
B
Because she's used to being told she's
perfect and
Bm
Used to all them crying
F#
So what's the difference? What makes me
F#7
different?
B
You'll be mine again, I'll get there
A#m D#m
I guess I'll wait and see
G#m Bm
But she's like, "Boy, don't tell me you're
F#
still crying for me"
G#m Bm
And she's like, "Boy, don't tell me you're
F#
still crying for me"
F# F# D#m D#m B Bm F#
[Verse 2]
F#
It looks like rain and boarding signs
D#m B
Your transatlantic lullaby
Bm F#
When you got away
B
And she'll need a piece of you to take along
A#m D#m
And that is not real good
B Bm F#
And it's just the start
[Chorus]
B
Because she's used to being told she's
perfect and
Bm
Used to all them crying
F#
So what's the difference? What makes me
F#7
different?
B
You'll be mine again, I'll get there
A#m D#m
When you’re not busy being you
G#m Bm
But she's like, "Boy, don't tell me you're
F#
still crying for me"
Bm
And she's like, "Boy, don't tell me you're
F#
still crying for me"
D#m F#
D#m F#
G#m F#
G#m Bm F#
G#m Bm F#
[Outro]
G#m Bm F#
Revolving door does turn with you around
G#m Bm
In celebration, you bring
F#
Still ringing out
G#m
I've played out every line
A#m
Alacrity's hiding place
C# D#m
Always occupied
G#m B C#
But to slip at the slightest invite
G#m B C#
Surely he's not too far beside
G#m Bm
And baby, I'll be alright
C# F#
With it this time
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