Verse
E
Did you forget it's a bus ride
C#m
Or are you dressed up for somebody to care?
A Am
There's somewhere to be
E
Ain't there?
Doomed to your configuration
C#m
Or that there's water in your shoes
A Am E
And someone in your arms
[Chorus]
A
Because she's used to being told she's
perfect and
Am
Used to all them crying
E
So what's the difference? What makes me
E7
different?
A
You'll be mine again, I'll get there
G#m C#m
I guess I'll wait and see
F#m Am
But she's like, "Boy, don't tell me you're
E
still crying for me"
F#m Am
And she's like, "Boy, don't tell me you're
E
still crying for me"
E E C#m C#m A Am E
[Verse 2]
E
It looks like rain and boarding signs
C#m A
Your transatlantic lullaby
Am E
When you got away
A
And she'll need a piece of you to take along
G#m C#m
And that is not real good
A Am E
And it's just the start
[Chorus]
A
Because she's used to being told she's
perfect and
Am
Used to all them crying
E
So what's the difference? What makes me
E7
different?
A
You'll be mine again, I'll get there
G#m C#m
When you’re not busy being you
F#m Am
But she's like, "Boy, don't tell me you're
E
still crying for me"
Am
And she's like, "Boy, don't tell me you're
E
still crying for me"
C#m E
C#m E
F#m E
F#m Am E
F#m Am E
[Outro]
F#m Am E
Revolving door does turn with you around
F#m Am
In celebration, you bring
E
Still ringing out
F#m
I've played out every line
G#m
Alacrity's hiding place
B C#m
Always occupied
F#m A B
But to slip at the slightest invite
F#m A B
Surely he's not too far beside
F#m Am
And baby, I'll be alright
B E
With it this time
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