Verse
A
Did you forget it's a bus ride
F#m
Or are you dressed up for somebody to care?
D Dm
There's somewhere to be
A
Ain't there?
Doomed to your configuration
F#m
Or that there's water in your shoes
D Dm A
And someone in your arms
[Chorus]
D
Because she's used to being told she's
perfect and
Dm
Used to all them crying
A
So what's the difference? What makes me
A7
different?
D
You'll be mine again, I'll get there
C#m F#m
I guess I'll wait and see
Bm Dm
But she's like, "Boy, don't tell me you're
A
still crying for me"
Bm Dm
And she's like, "Boy, don't tell me you're
A
still crying for me"
A A F#m F#m D Dm A
[Verse 2]
A
It looks like rain and boarding signs
F#m D
Your transatlantic lullaby
Dm A
When you got away
D
And she'll need a piece of you to take along
C#m F#m
And that is not real good
D Dm A
And it's just the start
[Chorus]
D
Because she's used to being told she's
perfect and
Dm
Used to all them crying
A
So what's the difference? What makes me
A7
different?
D
You'll be mine again, I'll get there
C#m F#m
When you’re not busy being you
Bm Dm
But she's like, "Boy, don't tell me you're
A
still crying for me"
Dm
And she's like, "Boy, don't tell me you're
A
still crying for me"
F#m A
F#m A
Bm A
Bm Dm A
Bm Dm A
[Outro]
Bm Dm A
Revolving door does turn with you around
Bm Dm
In celebration, you bring
A
Still ringing out
Bm
I've played out every line
C#m
Alacrity's hiding place
E F#m
Always occupied
Bm D E
But to slip at the slightest invite
Bm D E
Surely he's not too far beside
Bm Dm
And baby, I'll be alright
E A
With it this time
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