Verse
A#
Did you forget it's a bus ride
Gm
Or are you dressed up for somebody to care?
D# D#m
There's somewhere to be
A#
Ain't there?
Doomed to your configuration
Gm
Or that there's water in your shoes
D# D#m A#
And someone in your arms
[Chorus]
D#
Because she's used to being told she's
perfect and
D#m
Used to all them crying
A#
So what's the difference? What makes me
A#7
different?
D#
You'll be mine again, I'll get there
Dm Gm
I guess I'll wait and see
Cm D#m
But she's like, "Boy, don't tell me you're
A#
still crying for me"
Cm D#m
And she's like, "Boy, don't tell me you're
A#
still crying for me"
A# A# Gm Gm D# D#m A#
[Verse 2]
A#
It looks like rain and boarding signs
Gm D#
Your transatlantic lullaby
D#m A#
When you got away
D#
And she'll need a piece of you to take along
Dm Gm
And that is not real good
D# D#m A#
And it's just the start
[Chorus]
D#
Because she's used to being told she's
perfect and
D#m
Used to all them crying
A#
So what's the difference? What makes me
A#7
different?
D#
You'll be mine again, I'll get there
Dm Gm
When you’re not busy being you
Cm D#m
But she's like, "Boy, don't tell me you're
A#
still crying for me"
D#m
And she's like, "Boy, don't tell me you're
A#
still crying for me"
Gm A#
Gm A#
Cm A#
Cm D#m A#
Cm D#m A#
[Outro]
Cm D#m A#
Revolving door does turn with you around
Cm D#m
In celebration, you bring
A#
Still ringing out
Cm
I've played out every line
Dm
Alacrity's hiding place
F Gm
Always occupied
Cm D# F
But to slip at the slightest invite
Cm D# F
Surely he's not too far beside
Cm D#m
And baby, I'll be alright
F A#
With it this time