Verse
B
Did you forget it's a bus ride
G#m
Or are you dressed up for somebody to care?
E Em
There's somewhere to be
B
Ain't there?
Doomed to your configuration
G#m
Or that there's water in your shoes
E Em B
And someone in your arms
[Chorus]
E
Because she's used to being told she's
perfect and
Em
Used to all them crying
B
So what's the difference? What makes me
B7
different?
E
You'll be mine again, I'll get there
D#m G#m
I guess I'll wait and see
C#m Em
But she's like, "Boy, don't tell me you're
B
still crying for me"
C#m Em
And she's like, "Boy, don't tell me you're
B
still crying for me"
B B G#m G#m E Em B
[Verse 2]
B
It looks like rain and boarding signs
G#m E
Your transatlantic lullaby
Em B
When you got away
E
And she'll need a piece of you to take along
D#m G#m
And that is not real good
E Em B
And it's just the start
[Chorus]
E
Because she's used to being told she's
perfect and
Em
Used to all them crying
B
So what's the difference? What makes me
B7
different?
E
You'll be mine again, I'll get there
D#m G#m
When you’re not busy being you
C#m Em
But she's like, "Boy, don't tell me you're
B
still crying for me"
Em
And she's like, "Boy, don't tell me you're
B
still crying for me"
G#m B
G#m B
C#m B
C#m Em B
C#m Em B
[Outro]
C#m Em B
Revolving door does turn with you around
C#m Em
In celebration, you bring
B
Still ringing out
C#m
I've played out every line
D#m
Alacrity's hiding place
F# G#m
Always occupied
C#m E F#
But to slip at the slightest invite
C#m E F#
Surely he's not too far beside
C#m Em
And baby, I'll be alright
F# B
With it this time
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