Verse
C
Did you forget it's a bus ride
Am
Or are you dressed up for somebody to care?
F Fm
There's somewhere to be
C
Ain't there?
Doomed to your configuration
Am
Or that there's water in your shoes
F Fm C
And someone in your arms
[Chorus]
F
Because she's used to being told she's
perfect and
Fm
Used to all them crying
C
So what's the difference? What makes me
C7
different?
F
You'll be mine again, I'll get there
Em Am
I guess I'll wait and see
Dm Fm
But she's like, "Boy, don't tell me you're
C
still crying for me"
Dm Fm
And she's like, "Boy, don't tell me you're
C
still crying for me"
C C Am Am F Fm C
[Verse 2]
C
It looks like rain and boarding signs
Am F
Your transatlantic lullaby
Fm C
When you got away
F
And she'll need a piece of you to take along
Em Am
And that is not real good
F Fm C
And it's just the start
[Chorus]
F
Because she's used to being told she's
perfect and
Fm
Used to all them crying
C
So what's the difference? What makes me
C7
different?
F
You'll be mine again, I'll get there
Em Am
When you’re not busy being you
Dm Fm
But she's like, "Boy, don't tell me you're
C
still crying for me"
Fm
And she's like, "Boy, don't tell me you're
C
still crying for me"
Am C
Am C
Dm C
Dm Fm C
Dm Fm C
[Outro]
Dm Fm C
Revolving door does turn with you around
Dm Fm
In celebration, you bring
C
Still ringing out
Dm
I've played out every line
Em
Alacrity's hiding place
G Am
Always occupied
Dm F G
But to slip at the slightest invite
Dm F G
Surely he's not too far beside
Dm Fm
And baby, I'll be alright
G C
With it this time