Verse
G
Did you forget it's a bus ride
Em
Or are you dressed up for somebody to care?
C Cm
There's somewhere to be
G
Ain't there?
Doomed to your configuration
Em
Or that there's water in your shoes
C Cm G
And someone in your arms
[Chorus]
C
Because she's used to being told she's
perfect and
Cm
Used to all them crying
G
So what's the difference? What makes me
G7
different?
C
You'll be mine again, I'll get there
Bm Em
I guess I'll wait and see
Am Cm
But she's like, "Boy, don't tell me you're
G
still crying for me"
Am Cm
And she's like, "Boy, don't tell me you're
G
still crying for me"
G G Em Em C Cm G
[Verse 2]
G
It looks like rain and boarding signs
Em C
Your transatlantic lullaby
Cm G
When you got away
C
And she'll need a piece of you to take along
Bm Em
And that is not real good
C Cm G
And it's just the start
[Chorus]
C
Because she's used to being told she's
perfect and
Cm
Used to all them crying
G
So what's the difference? What makes me
G7
different?
C
You'll be mine again, I'll get there
Bm Em
When you’re not busy being you
Am Cm
But she's like, "Boy, don't tell me you're
G
still crying for me"
Cm
And she's like, "Boy, don't tell me you're
G
still crying for me"
Em G
Em G
Am G
Am Cm G
Am Cm G
[Outro]
Am Cm G
Revolving door does turn with you around
Am Cm
In celebration, you bring
G
Still ringing out
Am
I've played out every line
Bm
Alacrity's hiding place
D Em
Always occupied
Am C D
But to slip at the slightest invite
Am C D
Surely he's not too far beside
Am Cm
And baby, I'll be alright
D G
With it this time