Verse
C#
Did you forget it's a bus ride
A#m
Or are you dressed up for somebody to care?
F# F#m
There's somewhere to be
C#
Ain't there?
Doomed to your configuration
A#m
Or that there's water in your shoes
F# F#m C#
And someone in your arms
[Chorus]
F#
Because she's used to being told she's
perfect and
F#m
Used to all them crying
C#
So what's the difference? What makes me
C#7
different?
F#
You'll be mine again, I'll get there
Fm A#m
I guess I'll wait and see
D#m F#m
But she's like, "Boy, don't tell me you're
C#
still crying for me"
D#m F#m
And she's like, "Boy, don't tell me you're
C#
still crying for me"
C# C# A#m A#m F# F#m C#
[Verse 2]
C#
It looks like rain and boarding signs
A#m F#
Your transatlantic lullaby
F#m C#
When you got away
F#
And she'll need a piece of you to take along
Fm A#m
And that is not real good
F# F#m C#
And it's just the start
[Chorus]
F#
Because she's used to being told she's
perfect and
F#m
Used to all them crying
C#
So what's the difference? What makes me
C#7
different?
F#
You'll be mine again, I'll get there
Fm A#m
When you’re not busy being you
D#m F#m
But she's like, "Boy, don't tell me you're
C#
still crying for me"
F#m
And she's like, "Boy, don't tell me you're
C#
still crying for me"
A#m C#
A#m C#
D#m C#
D#m F#m C#
D#m F#m C#
[Outro]
D#m F#m C#
Revolving door does turn with you around
D#m F#m
In celebration, you bring
C#
Still ringing out
D#m
I've played out every line
Fm
Alacrity's hiding place
G# A#m
Always occupied
D#m F# G#
But to slip at the slightest invite
D#m F# G#
Surely he's not too far beside
D#m F#m
And baby, I'll be alright
G# C#
With it this time