Verse
D#
Did you forget it's a bus ride
Cm
Or are you dressed up for somebody to care?
G# G#m
There's somewhere to be
D#
Ain't there?
Doomed to your configuration
Cm
Or that there's water in your shoes
G# G#m D#
And someone in your arms
[Chorus]
G#
Because she's used to being told she's
perfect and
G#m
Used to all them crying
D#
So what's the difference? What makes me
D#7
different?
G#
You'll be mine again, I'll get there
Gm Cm
I guess I'll wait and see
Fm G#m
But she's like, "Boy, don't tell me you're
D#
still crying for me"
Fm G#m
And she's like, "Boy, don't tell me you're
D#
still crying for me"
D# D# Cm Cm G# G#m D#
[Verse 2]
D#
It looks like rain and boarding signs
Cm G#
Your transatlantic lullaby
G#m D#
When you got away
G#
And she'll need a piece of you to take along
Gm Cm
And that is not real good
G# G#m D#
And it's just the start
[Chorus]
G#
Because she's used to being told she's
perfect and
G#m
Used to all them crying
D#
So what's the difference? What makes me
D#7
different?
G#
You'll be mine again, I'll get there
Gm Cm
When you’re not busy being you
Fm G#m
But she's like, "Boy, don't tell me you're
D#
still crying for me"
G#m
And she's like, "Boy, don't tell me you're
D#
still crying for me"
Cm D#
Cm D#
Fm D#
Fm G#m D#
Fm G#m D#
[Outro]
Fm G#m D#
Revolving door does turn with you around
Fm G#m
In celebration, you bring
D#
Still ringing out
Fm
I've played out every line
Gm
Alacrity's hiding place
A# Cm
Always occupied
Fm G# A#
But to slip at the slightest invite
Fm G# A#
Surely he's not too far beside
Fm G#m
And baby, I'll be alright
A# D#
With it this time