Verse
D
Did you forget it's a bus ride
Bm
Or are you dressed up for somebody to care?
G Gm
There's somewhere to be
D
Ain't there?
Doomed to your configuration
Bm
Or that there's water in your shoes
G Gm D
And someone in your arms
[Chorus]
G
Because she's used to being told she's
perfect and
Gm
Used to all them crying
D
So what's the difference? What makes me
D7
different?
G
You'll be mine again, I'll get there
F#m Bm
I guess I'll wait and see
Em Gm
But she's like, "Boy, don't tell me you're
D
still crying for me"
Em Gm
And she's like, "Boy, don't tell me you're
D
still crying for me"
D D Bm Bm G Gm D
[Verse 2]
D
It looks like rain and boarding signs
Bm G
Your transatlantic lullaby
Gm D
When you got away
G
And she'll need a piece of you to take along
F#m Bm
And that is not real good
G Gm D
And it's just the start
[Chorus]
G
Because she's used to being told she's
perfect and
Gm
Used to all them crying
D
So what's the difference? What makes me
D7
different?
G
You'll be mine again, I'll get there
F#m Bm
When you’re not busy being you
Em Gm
But she's like, "Boy, don't tell me you're
D
still crying for me"
Gm
And she's like, "Boy, don't tell me you're
D
still crying for me"
Bm D
Bm D
Em D
Em Gm D
Em Gm D
[Outro]
Em Gm D
Revolving door does turn with you around
Em Gm
In celebration, you bring
D
Still ringing out
Em
I've played out every line
F#m
Alacrity's hiding place
A Bm
Always occupied
Em G A
But to slip at the slightest invite
Em G A
Surely he's not too far beside
Em Gm
And baby, I'll be alright
A D
With it this time
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