Intro
|B A Em|B |B A Em|B |
Verse-1
B G#m |B G#m
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|B G#m |F#sus4 F# F#sus2 F#
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|B G#m |B G#m
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|B G#m |F#sus4 F#
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|B E |B E
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|B E |F#7 F# |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
B G#m |B G#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|C#m F#7 |B A Em|B |B A Em|B
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Verse-2
|B G#m |B
SHE STAYED WITH ME, STARED AT THE RAIN. NO FRIENDS NO FOLKS,
G#m |B G#m |F#sus4 F# F#sus2 F# |
I FELT HER PC#IN. A DRIFTING CLOUD TOOK HER AWAY FROM ME.
B G#m |B
BACK AND FORTH FOR MANY YEARS, OUR LOVE'S STILL STRONG,
G#m |B G#m |F#sus4 F#
IN SPITE OF TEARS. D#UT LONELINESS CAN-NOT BE CURED BY PHONE.
|B E |B E
I WANT TO SEE HER EV'RYDAY, TO SMELL HER SENT AND HEAR HER SAY:
|B E |F#7 F# |
"I LOVE YOU LET'S MAKE LOVE AND HOLD ME TIGHT".
B G#m |B G#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|C#m F#7 |B A Em|B |B A Em|B |
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Bridge:
/ / / /
C#m |%
|C#m |% |B |%
FROM C# DISTANCE I COULD SEE, HER HAPPY SMILE WHEN SHE SAW ME.
|A |% |E |B
WE HUGGED AND KISSED AWAY THE TEARS, AWAY THE MISS - ING.
|C#m |% |B |%
NOW TO LOOK INTO HER EYES, I FEEL SO GOOD AND REA-LIZE,
/\/... /\/...
|A |% |E |B |% |% |
THC#T SEPE-RATION IS A KILLER WAY OF LI - VING.
B A Em|B |B A Em|B |
Verse-3/Outro:
B G#m |B G#m
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|B G#m | F#sus4 F# F#sus2 F#
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|B G#m |B G#m
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|B G#m | F#sus4 F#
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|B E |B E
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|B E |F#7 F# |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
B G#m |B G#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|C#m F#7 |B G#m
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
|C#m F#7 |B G#m
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
/ (Break)
|C#m F#7 |B A Em|B |B A Em|B
IT'S NUMBER FORTY-TWO FOR YOU AND ME.
DAIRYBEAT, André H. Hofman.
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