Intro
|E D Em|E |E D Em|E |
Verse-1
E C#m |E C#m
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|E C#m |Bsus4 B Bsus2 B
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|E C#m |E C#m
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|E C#m |Bsus4 B
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|E A |E A
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|E A |B7 B |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
E C#m |E C#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|F#m B7 |E D Em|E |E D Em|E
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Verse-2
|E C#m |E
SHE STAYED WITH ME, STARED AT THE RAIN. NO FRIENDS NO FOLKS,
C#m |E C#m |Bsus4 B Bsus2 B |
I FELT HER PF#IN. A DRIFTING CLOUD TOOK HER AWAY FROM ME.
E C#m |E
BACK AND FORTH FOR MANY YEARS, OUR LOVE'S STILL STRONG,
C#m |E C#m |Bsus4 B
IN SPITE OF TEARS. G#UT LONELINESS CAN-NOT BE CURED BY PHONE.
|E A |E A
I WANT TO SEE HER EV'RYDAY, TO SMELL HER SENT AND HEAR HER SAY:
|E A |B7 B |
"I LOVE YOU LET'S MAKE LOVE AND HOLD ME TIGHT".
E C#m |E C#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|F#m B7 |E D Em|E |E D Em|E |
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Bridge:
/ / / /
F#m |%
|F#m |% |E |%
FROM F# DISTANCE I COULD SEE, HER HAPPY SMILE WHEN SHE SAW ME.
|D |% |A |E
WE HUGGED AND KISSED AWAY THE TEARS, AWAY THE MISS - ING.
|F#m |% |E |%
NOW TO LOOK INTO HER EYES, I FEEL SO GOOD AND REA-LIZE,
/\/... /\/...
|D |% |A |E |% |% |
THF#T SEPE-RATION IS A KILLER WAY OF LI - VING.
E D Em|E |E D Em|E |
Verse-3/Outro:
E C#m |E C#m
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|E C#m | Bsus4 B Bsus2 B
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|E C#m |E C#m
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|E C#m | Bsus4 B
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|E A |E A
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|E A |B7 B |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
E C#m |E C#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|F#m B7 |E C#m
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
|F#m B7 |E C#m
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
/ (Break)
|F#m B7 |E D Em|E |E D Em|E
IT'S NUMBER FORTY-TWO FOR YOU AND ME.
DAIRYBEAT, André H. Hofman.
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