Intro
|C# B Em|C# |C# B Em|C# |
Verse-1
C# A#m |C# A#m
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|C# A#m |G#sus4 G# G#sus2 G#
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|C# A#m |C# A#m
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|C# A#m |G#sus4 G#
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|C# F# |C# F#
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|C# F# |G#7 G# |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
C# A#m |C# A#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|D#m G#7 |C# B Em|C# |C# B Em|C#
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Verse-2
|C# A#m |C#
SHE STAYED WITH ME, STARED AT THE RAIN. NO FRIENDS NO FOLKS,
A#m |C# A#m |G#sus4 G# G#sus2 G# |
I FELT HER PD#IN. A DRIFTING CLOUD TOOK HER AWAY FROM ME.
C# A#m |C#
BACK AND FORTH FOR MANY YEARS, OUR LOVE'S STILL STRONG,
A#m |C# A#m |G#sus4 G#
IN SPITE OF TEARS. FUT LONELINESS CAN-NOT BE CURED BY PHONE.
|C# F# |C# F#
I WANT TO SEE HER EV'RYDAY, TO SMELL HER SENT AND HEAR HER SAY:
|C# F# |G#7 G# |
"I LOVE YOU LET'S MAKE LOVE AND HOLD ME TIGHT".
C# A#m |C# A#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|D#m G#7 |C# B Em|C# |C# B Em|C# |
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Bridge:
/ / / /
D#m |%
|D#m |% |C# |%
FROM D# DISTANCE I COULD SEE, HER HAPPY SMILE WHEN SHE SAW ME.
|B |% |F# |C#
WE HUGGED AND KISSED AWAY THE TEARS, AWAY THE MISS - ING.
|D#m |% |C# |%
NOW TO LOOK INTO HER EYES, I FEEL SO GOOD AND REA-LIZE,
/\/... /\/...
|B |% |F# |C# |% |% |
THD#T SEPE-RATION IS A KILLER WAY OF LI - VING.
C# B Em|C# |C# B Em|C# |
Verse-3/Outro:
C# A#m |C# A#m
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|C# A#m | G#sus4 G# G#sus2 G#
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|C# A#m |C# A#m
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|C# A#m | G#sus4 G#
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|C# F# |C# F#
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|C# F# |G#7 G# |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
C# A#m |C# A#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|D#m G#7 |C# A#m
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
|D#m G#7 |C# A#m
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
/ (Break)
|D#m G#7 |C# B Em|C# |C# B Em|C#
IT'S NUMBER FORTY-TWO FOR YOU AND ME.
DAIRYBEAT, André H. Hofman.
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