Intro
|A G Em|A |A G Em|A |
Verse-1
A F#m |A F#m
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|A F#m |Esus4 E Esus2 E
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|A F#m |A F#m
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|A F#m |Esus4 E
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|A D |A D
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|A D |E7 E |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
A F#m |A F#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|Bm E7 |A G Em|A |A G Em|A
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Verse-2
|A F#m |A
SHE STAYED WITH ME, STARED AT THE RAIN. NO FRIENDS NO FOLKS,
F#m |A F#m |Esus4 E Esus2 E |
I FELT HER PBIN. A DRIFTING CLOUD TOOK HER AWAY FROM ME.
A F#m |A
BACK AND FORTH FOR MANY YEARS, OUR LOVE'S STILL STRONG,
F#m |A F#m |Esus4 E
IN SPITE OF TEARS. C#UT LONELINESS CAN-NOT BE CURED BY PHONE.
|A D |A D
I WANT TO SEE HER EV'RYDAY, TO SMELL HER SENT AND HEAR HER SAY:
|A D |E7 E |
"I LOVE YOU LET'S MAKE LOVE AND HOLD ME TIGHT".
A F#m |A F#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|Bm E7 |A G Em|A |A G Em|A |
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Bridge:
/ / / /
Bm |%
|Bm |% |A |%
FROM B DISTANCE I COULD SEE, HER HAPPY SMILE WHEN SHE SAW ME.
|G |% |D |A
WE HUGGED AND KISSED AWAY THE TEARS, AWAY THE MISS - ING.
|Bm |% |A |%
NOW TO LOOK INTO HER EYES, I FEEL SO GOOD AND REA-LIZE,
/\/... /\/...
|G |% |D |A |% |% |
THBT SEPE-RATION IS A KILLER WAY OF LI - VING.
A G Em|A |A G Em|A |
Verse-3/Outro:
A F#m |A F#m
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|A F#m | Esus4 E Esus2 E
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|A F#m |A F#m
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|A F#m | Esus4 E
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|A D |A D
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|A D |E7 E |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
A F#m |A F#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|Bm E7 |A F#m
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
|Bm E7 |A F#m
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
/ (Break)
|Bm E7 |A G Em|A |A G Em|A
IT'S NUMBER FORTY-TWO FOR YOU AND ME.
DAIRYBEAT, André H. Hofman.
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