Intro
|G# F# Em|G# |G# F# Em|G# |
Verse-1
G# Fm |G# Fm
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|G# Fm |D#sus4 D# D#sus2 D#
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|G# Fm |G# Fm
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|G# Fm |D#sus4 D#
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|G# C# |G# C#
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|G# C# |D#7 D# |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
G# Fm |G# Fm
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|A#m D#7 |G# F# Em|G# |G# F# Em|G#
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Verse-2
|G# Fm |G#
SHE STAYED WITH ME, STARED AT THE RAIN. NO FRIENDS NO FOLKS,
Fm |G# Fm |D#sus4 D# D#sus2 D# |
I FELT HER PA#IN. A DRIFTING CLOUD TOOK HER AWAY FROM ME.
G# Fm |G#
BACK AND FORTH FOR MANY YEARS, OUR LOVE'S STILL STRONG,
Fm |G# Fm |D#sus4 D#
IN SPITE OF TEARS. CUT LONELINESS CAN-NOT BE CURED BY PHONE.
|G# C# |G# C#
I WANT TO SEE HER EV'RYDAY, TO SMELL HER SENT AND HEAR HER SAY:
|G# C# |D#7 D# |
"I LOVE YOU LET'S MAKE LOVE AND HOLD ME TIGHT".
G# Fm |G# Fm
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|A#m D#7 |G# F# Em|G# |G# F# Em|G# |
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Bridge:
/ / / /
A#m |%
|A#m |% |G# |%
FROM A# DISTANCE I COULD SEE, HER HAPPY SMILE WHEN SHE SAW ME.
|F# |% |C# |G#
WE HUGGED AND KISSED AWAY THE TEARS, AWAY THE MISS - ING.
|A#m |% |G# |%
NOW TO LOOK INTO HER EYES, I FEEL SO GOOD AND REA-LIZE,
/\/... /\/...
|F# |% |C# |G# |% |% |
THA#T SEPE-RATION IS A KILLER WAY OF LI - VING.
G# F# Em|G# |G# F# Em|G# |
Verse-3/Outro:
G# Fm |G# Fm
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|G# Fm | D#sus4 D# D#sus2 D#
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|G# Fm |G# Fm
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|G# Fm | D#sus4 D#
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|G# C# |G# C#
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|G# C# |D#7 D# |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
G# Fm |G# Fm
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|A#m D#7 |G# Fm
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
|A#m D#7 |G# Fm
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
/ (Break)
|A#m D#7 |G# F# Em|G# |G# F# Em|G#
IT'S NUMBER FORTY-TWO FOR YOU AND ME.
DAIRYBEAT, André H. Hofman.
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