Intro
|F D# Em|F |F D# Em|F |
Verse-1
F Dm |F Dm
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|F Dm |Csus4 C Csus2 C
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|F Dm |F Dm
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|F Dm |Csus4 C
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|F A# |F A#
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|F A# |C7 C |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
F Dm |F Dm
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|Gm C7 |F D# Em|F |F D# Em|F
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Verse-2
|F Dm |F
SHE STAYED WITH ME, STARED AT THE RAIN. NO FRIENDS NO FOLKS,
Dm |F Dm |Csus4 C Csus2 C |
I FELT HER PGIN. A DRIFTING CLOUD TOOK HER AWAY FROM ME.
F Dm |F
BACK AND FORTH FOR MANY YEARS, OUR LOVE'S STILL STRONG,
Dm |F Dm |Csus4 C
IN SPITE OF TEARS. AUT LONELINESS CAN-NOT BE CURED BY PHONE.
|F A# |F A#
I WANT TO SEE HER EV'RYDAY, TO SMELL HER SENT AND HEAR HER SAY:
|F A# |C7 C |
"I LOVE YOU LET'S MAKE LOVE AND HOLD ME TIGHT".
F Dm |F Dm
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|Gm C7 |F D# Em|F |F D# Em|F |
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Bridge:
/ / / /
Gm |%
|Gm |% |F |%
FROM G DISTANCE I COULD SEE, HER HAPPY SMILE WHEN SHE SAW ME.
|D# |% |A# |F
WE HUGGED AND KISSED AWAY THE TEARS, AWAY THE MISS - ING.
|Gm |% |F |%
NOW TO LOOK INTO HER EYES, I FEEL SO GOOD AND REA-LIZE,
/\/... /\/...
|D# |% |A# |F |% |% |
THGT SEPE-RATION IS A KILLER WAY OF LI - VING.
F D# Em|F |F D# Em|F |
Verse-3/Outro:
F Dm |F Dm
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|F Dm | Csus4 C Csus2 C
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|F Dm |F Dm
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|F Dm | Csus4 C
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|F A# |F A#
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|F A# |C7 C |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
F Dm |F Dm
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|Gm C7 |F Dm
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
|Gm C7 |F Dm
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
/ (Break)
|Gm C7 |F D# Em|F |F D# Em|F
IT'S NUMBER FORTY-TWO FOR YOU AND ME.
DAIRYBEAT, André H. Hofman.
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