Intro
|F# E Em|F# |F# E Em|F# |
Verse-1
F# D#m |F# D#m
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|F# D#m |C#sus4 C# C#sus2 C#
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|F# D#m |F# D#m
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|F# D#m |C#sus4 C#
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|F# B |F# B
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|F# B |C#7 C# |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
F# D#m |F# D#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|G#m C#7 |F# E Em|F# |F# E Em|F#
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Verse-2
|F# D#m |F#
SHE STAYED WITH ME, STARED AT THE RAIN. NO FRIENDS NO FOLKS,
D#m |F# D#m |C#sus4 C# C#sus2 C# |
I FELT HER PG#IN. A DRIFTING CLOUD TOOK HER AWAY FROM ME.
F# D#m |F#
BACK AND FORTH FOR MANY YEARS, OUR LOVE'S STILL STRONG,
D#m |F# D#m |C#sus4 C#
IN SPITE OF TEARS. A#UT LONELINESS CAN-NOT BE CURED BY PHONE.
|F# B |F# B
I WANT TO SEE HER EV'RYDAY, TO SMELL HER SENT AND HEAR HER SAY:
|F# B |C#7 C# |
"I LOVE YOU LET'S MAKE LOVE AND HOLD ME TIGHT".
F# D#m |F# D#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|G#m C#7 |F# E Em|F# |F# E Em|F# |
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
Bridge:
/ / / /
G#m |%
|G#m |% |F# |%
FROM G# DISTANCE I COULD SEE, HER HAPPY SMILE WHEN SHE SAW ME.
|E |% |B |F#
WE HUGGED AND KISSED AWAY THE TEARS, AWAY THE MISS - ING.
|G#m |% |F# |%
NOW TO LOOK INTO HER EYES, I FEEL SO GOOD AND REA-LIZE,
/\/... /\/...
|E |% |B |F# |% |% |
THG#T SEPE-RATION IS A KILLER WAY OF LI - VING.
F# E Em|F# |F# E Em|F# |
Verse-3/Outro:
F# D#m |F# D#m
DRIVE ALL NIGHT, DRIVE ALL DAY, A-LONG AN ENDLESS MOTORWAY.
|F# D#m | C#sus4 C# C#sus2 C#
SOAK UP THE MILES, TO SEE MY GIRL BACK HOME.
|F# D#m |F# D#m
IT'S GETTING HOT, I FEEL DEAD-BEAT, WITH NEXT TO ME AN EMPTY SEAT.
|F# D#m | C#sus4 C#
I'M ANXIOUS 'CAUSE THERE'S STILL SOME WAY TO GO.
|F# B |F# B
I CALLED HER UP JUST YESTERDAY, BUT ALL THE WORDS I DIDN'T SAY.
|F# B |C#7 C# |
I'VE GOT TO STOP THE PAIN I FEEL IN-SIDE.
F# D#m |F# D#m
DRIVE ALL NIGHT, DRIVE ALL DAY, JUST ONE MORE DUAL CARRIAGEWAY,
|G#m C#7 |F# D#m
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
|G#m C#7 |F# D#m
AT NUMBER FORTY-TWO SHE WAITS FOR ME.
/ (Break)
|G#m C#7 |F# E Em|F# |F# E Em|F#
IT'S NUMBER FORTY-TWO FOR YOU AND ME.
DAIRYBEAT, André H. Hofman.
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