Intro
F/C A#
F/C Dm
this ones going out to you
C A#
as the taxi pulls away
F/C A# C Csus C
a song to keep you company for the ride
F/C Dm
theres something wrong with a goodbye
C A#
in the middle of the day
F/C A# C Csus C
so pretend I am still sitting at your side
A# Dm
and if you want to talk about all the differences
C Csus
between the shackle and the man
A# Dm C
or if you’ve got reasons no one ever let you say
F/C A# F/C A#
then fire awayyyyyyyyyy
A# F/C A# F/C A#
fire awayyyyyyyy
F/C Dm
this ones going out to you
C A#
on the day they let you out
F/C A# C Csus C
for the thousand ways they ask if you're okay
F/C Dm
because whatever answer that you give
C A#
it’s only gonna play into their doubts
F/C A# C Csus C
and be just half of what’s behind each word you say
A# Dm
so if you finally roped that heartbreak song
C Csus
that the experts never could
A# Dm C
or if you just wanted someone to listen to you play
F/C A# F/C A#
then fire awayyyyyyyyyy
A# F/C A# F/C A#
fire awayyyyyyyy
A Dm C A#
fire away
F/C Dm
this ones going out to you
C A#
if you ever start to slip
F/C A# C Csus C
and you learn to read between these lines you've drawn
F/C Dm
when what is wrong and what is right
C A#
seem more like just the ocean and the ship
F/C A# C Csus C
and the straight line that you've followed here is gone
A# Dm
and if that same old fox comes and sweeps you up
C Csus
each time you spread your wings
A# Dm C
I could at least love you through each stumble, shift and sway
C Csus C7
F/C A# F/C A#
then fire awayyyyyyyyyy
A# F/C A# F/C A#
fire awayyyyyyyy
A Dm C A#
fire awayyyyy
A# Dm C
A# Dm C
A# Dm C
when you need someone to walk away from
A# Dm C
when you need someone to let you in (through each stumble, shift and sway)
Break
A# C (for the rest I'm out)
A# Dm C
when you need someone to walk away from
A# Dm C
when you need someone to let you in
A# C
A# C
end on G
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