Intro
D/A G
D/A Bm
this ones going out to you
A G
as the taxi pulls away
D/A G A Asus A
a song to keep you company for the ride
D/A Bm
theres something wrong with a goodbye
A G
in the middle of the day
D/A G A Asus A
so pretend I am still sitting at your side
G Bm
and if you want to talk about all the differences
A Asus
between the shackle and the man
G Bm A
or if you’ve got reasons no one ever let you say
D/A G D/A G
then fire awayyyyyyyyyy
G D/A G D/A G
fire awayyyyyyyy
D/A Bm
this ones going out to you
A G
on the day they let you out
D/A G A Asus A
for the thousand ways they ask if you're okay
D/A Bm
because whatever answer that you give
A G
it’s only gonna play into their doubts
D/A G A Asus A
and be just half of what’s behind each word you say
G Bm
so if you finally roped that heartbreak song
A Asus
that the experts never could
G Bm A
or if you just wanted someone to listen to you play
D/A G D/A G
then fire awayyyyyyyyyy
G D/A G D/A G
fire awayyyyyyyy
F# Bm A G
fire away
D/A Bm
this ones going out to you
A G
if you ever start to slip
D/A G A Asus A
and you learn to read between these lines you've drawn
D/A Bm
when what is wrong and what is right
A G
seem more like just the ocean and the ship
D/A G A Asus A
and the straight line that you've followed here is gone
G Bm
and if that same old fox comes and sweeps you up
A Asus
each time you spread your wings
G Bm A
I could at least love you through each stumble, shift and sway
A Asus A7
D/A G D/A G
then fire awayyyyyyyyyy
G D/A G D/A G
fire awayyyyyyyy
F# Bm A G
fire awayyyyy
G Bm A
G Bm A
G Bm A
when you need someone to walk away from
G Bm A
when you need someone to let you in (through each stumble, shift and sway)
Break
G A (for the rest I'm out)
G Bm A
when you need someone to walk away from
G Bm A
when you need someone to let you in
G A
G A
end on G