Chord Gitar Freedy Johnston - This Perfect World Album Kunci Dasar - Chords.id (Nada Dasar C#)

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Ganti Nada Dasar Chord Gitar Freedy Johnston - This Perfect World Album Kunci Dasar - Chords.id (Nada Dasar C#)

G#    D#          A#7       D#
We met in a lonely summer,
 
G#        D#           A#7    D#
two survivors of paradise.
 
G#         D#          A#7        D#
She ran off when I first touched her.
 
G#         D#          A#7      D#
Now she wakes me every night.
 
 
(chorus)
        Cm7        G#       A#       Cm7
Evie's tears are never gonna dry.
 
G#        A#        Cm7
Evie's secret tears
 
G#           A#         Cm7            G#          A#
burn this bed she comes to only when its right.
 
 
(1st bridge)
 G#                                 A#
|-------|-------|-------|-------|-------|-------|-------|-------|
 Faith - less      girl,             you've    been      dreamin'.
 
 D#                                 G#
|-------|-------|-------|-------|-------|-------|-------|-------|
 Star - ing        up,       your      face    is        white     with
 
 G#                                 A#
|-------|-------|-------|-------|-------|-------|-------|-------|
 fear.    O     -      K,                now       I'm       list - nin'.
 
 D#                                 G#
|-------|-------|-------|-------|-------|-------|-------|---------|
 You're    not       mine      and       he's      not       here-------------|
 
 
(solo for chorus)
 Cm7                              G#                 A#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 Cm7                              G#                 A#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 Cm7                              G#                 A#
|-------|-------|-------|-------|-------|-------|-------|-------|
                                  Now       I'm       list - nin'.
 
 Cm7                              G#                 A#
|-------|-------|-------|-------|-------|-------|-------|---------|
 You're    not       mine      and       he's      not       here-------------|
 
 
(3rd verse)
G#        D#           A#7       D#
In the middle of Evie's garden,
 
G#      D#        A#7     D#
in a simple iron chair.
 
G#        D#             A#7       D#
Wind's blowin' and she is singin'.
 
G#          D#         A#7     D#
Begs the moon to disappear.
 
 
(chorus)
        Cm7        G#       A#       Cm7
Evie's tears are never gonna dry.
 
G#        A#        Cm7
Evie's guilty tears
 
G#           A#         Cm7            G#          A#
burn this bed she comes to only when its right.
 
Cm7     G#    A#        Cm7     G#    A#        Cm7
Tears.      Evie's tears.      Evie's tears,
 
G#           A#         Cm7            G#          A#
burn this bed she comes to only when its light.
 
 
(2nd bridge)
G#                A#
Catholic girl, you've been dreamin'.
 
D#                  G#
Staring up, your face is white with fear.
 
G#     A#
OK, now I'm listnin'.
 
D#                     A#              (fades out...)
You're not mine and he's not here.
 
--
                                                                    ~    ~

 Concurrent Technologies Corporation           814/269.2633           --+--
                                                                   NI|KA
 
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:16 1995

Date: 24 Apr 1995 10:55:02 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 3/12
 
 
Here's cut #3:
 
         Can't Sink This Town - Freedy Johnston
         From "This Perfect World"

                 (no warrantees expressed or implied - have fun)
 
 
(intro)
 D#                 Fm               A#m                C#
1-------2-------3-------4-------1-------2-------3-------4-------|
 
 D#                 Fm               A#m                C# (hold for count)
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
(one..., two..., three..., four...)
(solo over verse)
 Fm                               A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 D#                                 A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 Fm                               A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 D#                                 A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
(1st verse)
 Fm                               A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
             G#      bare    - foot      whore
 
 D#                                 A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 walk - in'        by        a         fa    -     mous      clock.
 
 Fm                               A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
             G# -    gainst    her       door,
 
 D#                                 A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 wait    - ing       for       the       chimes    to        stop.
 
 
(chorus)
 D#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
          Can't     sink      this      town.
 
 D#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
          Pull the gates    and       bring     it        down.
 
 D#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
          I'd       glad -    ly        drown           -           than
 
 D#                 Fm               A#m                C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 let       you       leave     me        lone    - ly.
 
 
(2nd verse)
G#    D#          A#7       D#
She pulled the cord.
 
G#        D#           A#7    D#
On a night like this she never works.
 
G#         D#          A#7        D#
I said no more.
 
G#         D#          A#7      D#
Do I think I'm understood with her?
 
 
(chorus)
D#                 C#
Can't sink this town.
 
D#                    C#
Pull the gates and bring it down.
 
D#            C#
I'd gladly drown
 
      D#         Fm        A#m        C#
than let you leave me lonely.
 
 D#                  C#
I can't sink this town.
 
D#               C#
Lookin' back across the sea.
 
D#            C#
I'd gladly drown.
 
   D#             Fm             A#m        C#      D#      Fm      A#m       C#
I thought you said you were lonely?
 
 
(solo over verse)
 Fm                               A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 D#                                 A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 Fm                               A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 D#                                 A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
(3rd verse)
Fm        A#m
Tell you what,
 
      D#                A#m
is a broken promise cheap enough?
 
Fm          A#m
It's all I got.
 
D#               A#m
Looks so sad, talks to tough.
 
 
(chorus)
D#                 C#
Can't sink this town.
 
D#                    C#
Pull the gates and bring it down.
 
D#            C#
I'd gladly drown
 
      D#         Fm        A#m        C#
than let you leave me lonely.
 
 D#                  C#
I can't sink this town.
 
D#               C#
Lookin' back across the sea.
 
D#            C#
I'd gladly drown
 
   D#             Fm             A#m        C#      D#      Fm      A#m       C#
I thought you said you were lonely?
 
   D#             Fm             A#m        C#      D#      Fm      A#m       C#
I thought you said you were lonely?
 
   D#             Fm             A#m        C#
I thought you said you were lonely?
 
(solo over verse)
 Fm                               A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 D#                                 A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 Fm                               A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 D#                                 A#m (hold & fade...)
|-------|-------|-------|-------|-------|-------|-------|-------|
 
--
                                                                    ~    ~

 Concurrent Technologies Corporation           814/269.2633           --+--
                                                                   NI|KA
 
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995

Date: 24 Apr 1995 10:56:35 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 4/12
 
 
Here's cut #4:
 
         This Perfect World - Freedy Johnston
         From "This Perfect World"

                 (no warrantees expressed or implied - have fun)
 
You might want to try a capo on the 4th fret and use the following
shapes instead of barring:
 
      open G#m for Cm
      open C#m for Fm
      open D#7 for G7
      open B    for D#
   E    for G#
           F#    for A#
 
This seems to sound closest to the record.    Or, you could practice
your barring technique :-). Or you could just find the chords without
a capo, but the sound won't be -quite- right, especially for the intro
arpeggios.    But, hey, fool around: you're here to learn!
 
Try these chords (who knows what their -real- names are?):
 
(intro)
    F#m+6                G7+4                 G#7
x-x-+-+-+-+ IV       +-+-+-+-+-+ IV       +-+-+-+-+-+ IV
| | 1 - 1 - barre    1 - 1 - 1 1 barre    1 - 1 - 1 1 barre
+-+-+-+-+-+          +-+-+-+-+-+          +-+-+-+-+-+
| | | | | 2          | | | | | |          | | | 2 | |
+-+-+-+-+-+          +-+-+-+-+-+          +-+-+-+-+-+
| | | 3 | |          | 3 | 4 | |          | 3 | | | |
+-+-+-+-+-+          +-+-+-+-+-+          +-+-+-+-+-+
 
(verses)
    Cm                   Fm                  G7
x-x-+-+-+-+ IV       +-+-+-+-+-+ IV       +-+-+-+-+-+ IV
| 1 - - - 1 barre    | 1 - - - - barre    1 - 1 - 1 1 barre
+-+-+-+-+-+          +-+-+-+-+-+          +-+-+-+-+-+
| | | | 2 |          | | | | | 2          | | | 2 | |
+-+-+-+-+-+          +-+-+-+-+-+          +-+-+-+-+-+
| | 3 4 | |          | | | 3 | |          | 3 | | | |
+-+-+-+-+-+          +-+-+-+-+-+          +-+-+-+-+-+
                    | | | | 4 |
                    +-+-+-+-+-+
 
(intro arpeggio)
 F#m+6
1-------2-------3-------4-------1-------2-------3-------4-------|
 
 F#m+6                             G7+4             G#7
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
(1st verse)
 Cm                               Fm
|-------|-------|-------|-------|-------|-------|-------|-------|
    You    ought to see       your      face.
 
 G7                               Cm
|-------|-------|-------|-------|-------|-------|-------|-------|
    You    ought to hear      your      voice.
 
 Fm                               G7
|-------|-------|-------|-------|-------|-------|-------|-------|
          Last      time              I         was       here      I
 
 Cm                               Fm               G7
|-------|-------|-------|-------|-------|-------|-------|-------|
 would - n't       turn      a     -     round.
 
 Cm                               Fm
|-------|-------|-------|-------|-------|-------|-------|-------|
    You    ought to lock      that      door.
 
 G7                               Cm
|-------|-------|-------|-------|-------|-------|-------|-------|
   Some - body      might     get       in.
 
 Fm
|-------|-------|-------|-------|-------|-------|-------|-------|
          Didn't    I                 teach     you       tha       -
 
 G#7+4                    (chorus) D#
|-------|-------|-------|-------|-------|-------|-------|-------|
 -         -         t?        This      per -fect         world.
 
 G#                                 A#
|-------|-------|-------|-------|-------|-------|-------|-------|
          So        blue      I         Can't     be    -     gin       to
 
 G#                                 D#
|-------|-------|-------|-------|-------|-------|-------|-------|
 say.                      This      per -fect         world.
 
 G#                                 A#
|-------|-------|-------|-------|-------|-------|-------|-------|
          I         know      I         ne    -     ver       should    have
 
 G#                                 A#
|-------|-------|-------|-------|-------|-------|-------|-------|
 gone      a     -     wa    -     y.
 
 G#                                 A#
|-------|-------|-------|-------|-------|-------|-------|-------|
                  But       I         still     de    -     serve     to
 
 G#                                 F#m+6
|-------|-------|-------|-------|-------|-------|-------|-------|
 say       good    - bye       no        matt -    er        what    I've
 
 G#7+4                             Cm
|-------|-------|-------|-------|-------|-------|-------|-------|
 do        -         -         -         ne.                       No
 
 Cm
|-------|-------|-------|-------|
 matt -    er        what    I've
 
 F#m+6 (intro arpeggio)
|-------|-------|-------|-------|-------|-------|-------|-------|
 done.
 
 F#m+6                             G7+4             G#7
|-------|-------|-------|-------|-------|-------|-------|-------|
 
(2nd verse)
Cm                 Fm
I see her in your face.
 
G7                  Cm
I hear her in your voice.
 
Fm         G7                 Cm                Fm     G7
Last time I was here they'd found her in the lake.
 
Cm                   Fm
You ought to see my scars.
 
G7                     Cm
You think I'm made of stone.
 
Fm                         G#7+4
Didn't you tell me that--?
 
 
(chorus)
      D#               G#             A#                G#
This perfect world.    So blue I can't begin to say.
 
      D#               G#                 A#                G#           A#      G#
This perfect world.    They say that soon I will be gone away.
 
       A#                  G#                F#m+6              G7+4    G#7
But I still deserve to say goodbye no matter what I've done.
 
      D#               G#             A#                G#
This perfect world.
 
      D#               G#             A#                G#
This perfect world.
 
          A#                  G#               A#       G#
Now I've come around it's far too late.
 
           A#                  G#              A#       G#
And these pills won't even let me cry.
 
        A#                G#                   A#       G#
No one knows you even when your gone.
 
       A#                  G#                F#m+6              G7+4    G#7     Cm
But I still deserve to say goodbye no matter what I've done      -        -.
 
                     F#m+6 (intro arpeggio)                 G7+4             G#7
No matter what I've done.
 
 
(3rd verse)
Cm                     Fm
You ought to see your face.
 
G7                      Cm
You ought to hear your voice.
 
Fm                   G7+4    G#7     Cm
Lock this after me      -       -       -.
 
--
                                                                    ~    ~

 Concurrent Technologies Corporation           814/269.2633           --+--
                                                                   NI|KA
 
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995

Date: 24 Apr 1995 10:57:46 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 5/12Here's cut #5:
 
 
         Cold Again - Freedy Johnston
         From "This Perfect World"

                 (no warrantees expressed or implied - have fun)
 
Sorry, I didn't have the patience to figure out the chords he's using
in this song, so I'll post the unadorned lyrics instead, and hope that
someone a little more talented can match up the right chords.
 
 
(intro)
 
(1st verse)
When I woke up, I was already evicted.
And when you say lie, do you think I believe anything?
 
(chorus)
Cold again, cold again, walkin' over Brooklyn Bridge.
Cold again, cold again, hey Miss Liberty where have you been?
 
(2nd verse)

And now I'm locked out, I will be back in familiar spots.
 
(chorus)
Cold again, cold again, back alone before the end.
Cold again, cold again, do you really think I'd turn you in?
Cold again, cold again, walkin' over Brooklyn Bridge.
Cold again, cold again, hey Miss Liberty where have you been?
 
 
Keywords:
 
--
                                                                    ~    ~

 Concurrent Technologies Corporation           814/269.2633           --+--
                                                                   NI|KA
 
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:17 1995

Date: 24 Apr 1995 10:59:08 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 6/12
 
 
Here's cut #6:
 
         Two Lovers - Freedy Johnston
         From "This Perfect World"

                 (no warrantees expressed or implied - have fun)
 
The "B+" chord below (I don't know what the proper name is) is an open C
chord with F# on the top and an added A.    This is how I finger it:
 
     C+

| | | | 1 |
+-+-+-+-+-+
| | | 2 | |
+-+-+-+-+-+
| 3 | | | 4
+-+-+-+-+-+
 
I dunno, sounds pretty close to me.    Corrections always welcome.
 
 
(intro)
 F#                                 A#m
1-------2-------3-------4-------1-------2-------3-------4-------|
 
 D#m                                B
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 F#                                 A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 D#m                                B                 C+ (hold)
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
|-------|-------|-------|-------|
 
 
(1st verse)
 F#                                 A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
                  Lovers            cry,               one last
 
 D#m                                B
|-------|-------|-------|-------|-------|-------|-------|-------|
 kiss      by the    edge      then         hand     in      hand.
 
 F#                                 A#m
|-------|-------|-------|-------|-------|-------|-------|-------|
          Two       lovers            stop their        hearts,
 
 D#m                                B                 C+ (hold)
|-------|-------|-------|-------|-------|-------|-------|-------|
 Bet    -    ter       than      to        be        a     -     part.
 
 
|-------|-------|-------|-------|
                      They    had
 
 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 run       from her father to the    high -    est       bri    -    dge.
 
 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 Hold    - ing to- gether    as        they      jumped    i     -     n.
 
 C#                 C#7                                C+
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
(2nd verse)
F#        A#m           D#m                        B
Lovers fly on the hill where they once lay side by side.
 
F#            A#m                   D#m               B         C+
Two lovers stop their hearts, better than to be apart.
 
 
(solo, follows intro chords)
F#        A#m        D#m        B
F#        A#m        D#m        B    C+
 
 
         C#
She was rich, he was common, but she wouldn't say no.
 
C#
Lying together on the rocks below.
 
          C#
They had run from her father to the highest bridge.
 
C#                                      C#7     C+
Holding together as they jumped in.
 
 
(3rd verse)
F#        A#m               D#m                      B
Lovers cry.    One last kiss by the edge, then hand in hand.
 
F#            A#m                   D#m               B          C+
Two lovers stop their hearts, better than to be apart.
 
F#        A#m             D#m             B
Lovers cry.    Lovers cry.    Lovers cry.
 
F#        A#m             D#m             B
Lovers cry.    Lovers cry.    Lovers cry.
 
F#        A#m             D#m             B
Lovers cry.    Lovers cry.    Lovers cry.
 
F#        A#m             D#m             B     C+ (hold)
Lovers cry.    Lovers cry.    Lovers cry.
 
--
                                                                    ~    ~

 Concurrent Technologies Corporation           814/269.2633           --+--
                                                                   NI|KA
 
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:18 1995

Date: 24 Apr 1995 11:01:09 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 7/12
 
 
Here's cut #7:
 
         Across The Avenue - Freedy Johnston
         From "This Perfect World"

                 (no warrantees expressed or implied - have fun)
 
 
(intro)
 G#7                                                F#
1-------2-------3-------4-------1-------2-------3-------4-------|
 
 G#7                                                F#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
(1st verse)
 G#7                                                F#
|-------|-------|-------|-------|-------|-------|-------|-------|
    Though you've gone      a     -     wa        -         -         y,
 
 G#7                                                F#
|-------|-------|-------|-------|-------|-------|-------|-------|
          I         play      your      favo -    rite      songs.
 
 G#7                                                F#
|-------|-------|-------|-------|-------|-------|-------|-------|
       In    the      blue      and       go        -         -         ld,
 
 G#7                                                F#
|-------|-------|-------|-------|-------|-------|-------|-------|
          with      your      dark      glass - es        on.
 
 
(chorus)
 C#                                 G#
|-------|-------|-------|-------|-------|-------|-------|-------|
        I           al    -     ways      think     I         see       you
 
 F#                                 G#
|-------|-------|-------|-------|-------|-------|-------|-------|
          a     -     cross     the       a - ven    -    ue.
 
 C#                                 G#
|-------|-------|-------|-------|-------|-------|-------|-------|
          Walk -    in'       by        where     I         lost      you.
 
 F#                                 G#
|-------|-------|-------|-------|-------|-------|-------|-------|
          It's      all       I         e     -     ver       do.
 
 
(2nd verse)
 G#7                                                F#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 G#7                                                F#
|-------|-------|-------|-------|-------|-------|-------|-------|
    You      just     walked    a     -     wa        -         -         y.
 
 G#7                                                F#
|-------|-------|-------|-------|-------|-------|-------|-------|
         "We'll     meet      to    -     night." "O    -     K."
 
 G#7                                                F#
|-------|-------|-------|-------|-------|-------|-------|-------|
   Go    -    in' a - gainst    the       li        -         -         ght.
 
 G#7                                                F#
|-------|-------|-------|-------|-------|-------|-------|-------|
          Run       down      in        front     of        me.
 
 C#                                 G#
|-------|-------|-------|-------|-------|-------|-------|-------|
        I           al    -     ways      think     I         see       you
 
 F#                                 G#
|-------|-------|-------|-------|-------|-------|-------|-------|
          a     -     cross     the       a     -     ven    -    ue.
 
 C#                                 G#
|-------|-------|-------|-------|-------|-------|-------|-------|
          Some      day       I'll      come      to        meet      you
 
 F#                                 G#
|-------|-------|-------|-------|-------|-------|-------|-------|
                  on        the       o     -     ther      side.         G# -
 
 E
|-------|-------|-------|-------|-------|-------|-------|-------|
 cross     the    G# - ven -    ue.
 
 E                                 F#
|-------|-------|-------|-------|-------|-------|-------|-------|
                                                              G# -
 
 E
|-------|-------|-------|-------|-------|-------|-------|-------|
 cross     the    G# - ven -    ue.
 
 E                                 F#                 G#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
|-------|-------|
 
(solo)
G#7    /    /    /    /    /    F#    /
 
G#7    /    /    /    /    /    F#    /
 
 
(3rd verse)
G#7                      F#    G#7                      F#
Though you've gone away, I wear your favorite shirt.
 
G#7                  F# G#7                 F#
Sitting in the sun, by the library lion.
 
 
(chorus)
C#          G#                F#             G#
I always think I see you across the avenue.
 
C#              G#                 F#         G#
Someday I'll come to meet you on the other side.
 
 E                             F#
Across the avenue.
 
 E                             F#
Across the avenue.
 
 E                             F#
Across the avenue.
 
 E                             F#
Across the avenue.
 
(repeates and fades)
 
--
                                                                    ~    ~

 Concurrent Technologies Corporation           814/269.2633           --+--
                                                                   NI|KA
 
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:19 1995

Date: 24 Apr 1995 11:02:21 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 8/12
 
 
Here's cut #8:
 
         Gone Like The Water - Freedy Johnston
         From "This Perfect World"

                 (no warrantees expressed or implied - have fun)
 
 
                                  F#
                                 |-------2-------3-------4-------|
                                                             G#
 
 F#
|-------2-------3-------4-------|-------2-------3-------4-------|
 red       suit -    case      she'll    ne    -    ver        miss,
 
 C#                                                 F#
|-------|-------|-------|-------|-------|-------|-------|-------|
 lea -    ther       coat      he        used to           wear.
 
 F#
|-------2-------3-------4-------|-------2-------3-------4-------|
 Think-in'         tough,            look-in'          tired,    with
 
 C#                                                 F#         (chorus)
|-------|-------|-------|-------|-------|-------|-------|-------|
 momm - a's        money     and       dadd - y's        ring.     He's
 
 E                                 B
|-------|-------|-------|-------|-------|-------|-------|-------|
 Go - ne           like         the    wa - ter          down      to
 
 F#
|-------|-------|-------|-------|-------|-------|-------|-------|
 N         -         Y         -         C.
 
 E                                 B
|-------|-------|-------|-------|-------|-------|-------|-------|
 Sleep-in'         on            the Eight-O      -      Two       a    -
 
 F#
|-------|-------|-------|-------|-------|-------|-------|-------|
 long      this      river             runn-in'          down.     He's
 
 E                                 B
|-------|-------|-------|-------|-------|-------|-------|-------|
 Go - ne           like         the    wa - ter          down      the
 
 F#
|-------|-------|-------|-------|-------|-------|-------|-------|
 de        -         pot               drai      -         -         n.
 
 E                                 B
|-------|-------|-------|-------|-------|-------|-------|-------|
 Dis    -    a    -    pear    - in'         in        the         city.
 
 C#7
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
 F#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
(2nd verse)
F#                              C#                      F#
Twenty-four and goin' pale.    Growin' out, cuttin' back.
 
F#                                   C#                           F#
Drew a face on a ticket stub with momma's hands and daddy's pen.
 
 
(chorus)
      E               B               F#
He's gone like the water down to NYC.
 
E                 B              F#
Sleepin' on the Eight-O-Two along this river runnin' down.
 
      E               B                F#
He's gone like the water down the depot drain.
 
E               B              C#7         F#
Dissappearing in the city.
 
 
(solo on verse & chorus)
 
 
(3rd verse)
F#                                C#                            F#
Talk all night, cook all day.    Lookin' for a new place to stay.
 
F#                                  C#                           F#
Thinkin' hard, lookin' bad, with momma's dollar in daddy's coat.
 
 
(chorus)
      E               B               F#
He's gone like the water down to NYC.
 
E                 B              F#
Sleepin' on the Eight-O-Two along this river runnin' down.
 
      E               B                F#
He's gone like the water down the depot drain.
 
E               B              C#7         F#
Dissappearing in the city.
 
 
--
                                                                    ~    ~

 Concurrent Technologies Corporation           814/269.2633           --+--
                                                                   NI|KA
 
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:19 1995

Date: 24 Apr 1995 11:03:29 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 9/12
 
 
Here's cut #9:
 
         Delores - Freedy Johnston
         From "This Perfect World"

                 (no warrantees expressed or implied - have fun)
 
 
As best I can tell, this tune is really played a half step lower than
I've tabbed it here, that is, in F (F#?) rather than G.    Adjust
accordingly, if so inclined.
 
 
(intro)
 F#                 C#                 B                 C#
|-------2-------3-------4-------|-------2-------3-------4-------|
 
 F#                 C#                 B                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
                                                             De -
 
(1st verse)
 F#                 C#                 B                 C#
|-------2-------3-------4-------|-------2-------3-------4-------|
 lores     was her middle    name.                               She'd
 
 F#                 C#                 B                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 read the book & every - thing.
 
 F#                 C#                 B                 C#
|-------2-------3-------4-------|-------2-------3-------4-------|
 Now I     know how old      I       am.
 
 F#                 C#                 B                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 Have you ever    seen that film?
 
 B
|-------|-------|-------|-------|-------|-------|-------|-------|
 Talkin' to    a     ho    -     tel       mirror with my    glasses
 
 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 off.
 
 B
|-------|-------|-------|-------|-------|-------|-------|-------|
 Now       you       know      just      what      he's      cryin'     about.
 
 C#                                 C#7
|-------|-------|-------|-------|-------|-------|-------|-------|
 
(2nd verse)
   F#               C#              B              C#
Delores was her middle name.
 
F#                 C#              B              C#
Dangling from a silver chain.
 
F#                      C#                B               C#
Where'd you learn to talk that way?
 
F#                   C#                 B               C#
I look like James Mason's ghost.
 
B                                                C#
Talking to a friend after school but you don't see
 
B                                    C#      C#7
that she's really lookin' right at me.    Yeah, yeah, yeah.
 
 
(solo on verse)
F#    /    C#    /    B    /    C#    /
F#    /    C#    /    B    /    C#    /
 
 
(3rd verse)
   F#               C#                B           C#
Delores was her middle name.
 
     F#                  C#              B           C#
And now her mother's wonderin',
 
     F#                C#                B           C#
"If I could see my wrinkled face."
 
F#                  C#                B           C#
Paint her lovely toenails red.
 
B                                            C#
Writin' all my problems in a secret little book.
 
B                                     C#
Now I know just what he should have done.
 
B                                      C#
Talkin' to me like I'm just a little late.
 
B                                     C#          C#7
Now you know just what he's talkin' about--.
 
(solo)
B    /    /    /    /    /    /    /    C#    /    /    /    /    /    /    /
B    /    /    /    /    /    /    /    C#    /    /    /    C#7 /    /    /
 
   F#               C#             B         C#
Delores was her middle name.
 
   F#               C#             B         C#
Delores was her middle name.    Yeah, yeah, yeah.
 
F#    /    C#    /    B    /    /    /    C#    /    /    /    F# (hold)
 
--
                                                                    ~    ~

 Concurrent Technologies Corporation           814/269.2633           --+--
                                                                   NI|KA
 
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:20 1995

Date: 24 Apr 1995 11:04:51 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 10/12
 
 
Here's cut #10:
 
         Evie's Garden - Freedy Johnston
         From "This Perfect World"

                 (no warrantees expressed or implied - have fun)
 
Try fingerpicking these chord shapes for the intro and verse:
 
(intro)
      F#                    C#               open A,    open C#
X------------------------------|X-+-+-+-+ III      X-X-+-+-+-+ II
| | | | 1-1 barre    | | | 1---1-| barre
+-+-+-+-+----------------------|          +-+-+-+-+-+
| | | 2 | |          | | | | 2 |
+-+-+-+-+-+          +-+-+-+-+-+
| | 3 | | |          | | 3 | | |
+-+-+-+-+-+          +-+-+-+-+-+
 
(intro)
 F#                                 C#
|-------&-------2-------&-------3-------&-------4-------&-------|
 
 G#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 F#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 G#7
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
(1st verse)
 F#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
                  In        the       mid    -    dle       of
 
 G#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 D#     -     vie'      -         s         gar       -         den
 
 F#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
                  was       a         rock              she       could
 
 G#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 ne    -     ver               move.
 
 F#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
                  Worn      a     -     way               by        a
 
 G#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 faith - ful               ha    -     nd        'till
 
 F#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 no        -         one               knows             the
 
 G#                                 C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 date.
 
 
(chorus)
 A#m                                G#
|-------|-------|-------|-------|-------|-------|-------|-------|
                  Bring             back              the
 
 F#                                 Fm
|-------|-------|-------|-------|-------|-------|-------|-------|
 rain,                             we'll go
 
 D#m                                C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 walkin'.                          Mmm -     mmm       -         -
 
 G#
|-------|-------|-------|-------|-------|-------|-------|-------|
 mmm -- .
 
 A#m                                G#
|-------|-------|-------|-------|-------|-------|-------|-------|
                  Bring             back              the
 
 F#                                 Fm
|-------|-------|-------|-------|-------|-------|-------|-------|
 wind                              like              you
 
 D#m                                C#
|-------|-------|-------|-------|-------|-------|-------|-------|
 do.                               Mmm -     mmm       -         -
 
 G#7
|-------|-------|-------|-------|-------|-------|-------|-------|
 mmm -- .
 
 
(2nd verse)
F#        C#            G#        C#
Of the flowers in Evie's garden
 
F#           C#          G#        C#
one would never go out of bloom.
 
F#         C#        G#          C#
Planted over a well, forgotten.
 
F#        C#        G#        C#
Opened by the moon.
 
 
(chorus)
A#m      G#          F#         Fm     D#m         C#         G#
Bring back the rain we'll go walkin'    Mmm mmm mmm.
 
A#m      G#          F#      Fm        D#m      C#         G#
Bring back the wind like you do.     Mmm mmm mmm.
 
A#m      G#          F#         Fm      D#m         C#         G#
Bring back the rain to Evie's garden.    Mmm mmm mmm.
 
A#m    G#        F#      Fm       D#m        C#        G#7
I'm at the gate looking through.
 
 
(3rd verse)
F#        C#           G#        C#
In the middle of Evie's garden
 
F#       C#                G#       C#
was a rock she could never move.
 
F#        C#             G#             C#
Nearly buried in a night bloom angle.
 
F#          C#           G#          C#
Pale and smooth as skin.
 
--
                                                                    ~    ~

 Concurrent Technologies Corporation           814/269.2633           --+--
                                                                   NI|KA
 
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:22 1995

Date: 24 Apr 1995 11:06:25 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 11/12
 
 
Here's cut #11:
 
         Disappointed Man - Freedy Johnston
         From "This Perfect World"

                 (no warrantees expressed or implied - have fun)
 
 
(intro)
 C#m
|-------2-------3-------4-------|-------2-------3-------4-------|
 
 F#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 C#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 F#                                 G#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
(1st verse)
 C#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 Did       you       take      your      mother's          name      so
 
 F#
|-------|-------|-------|-------|-------|-------|-------|-------|
 you    could        sleep more        eas    -    i     -    ly?
 
 G#m
|-------|-------|-------|-------|-------|-------|-------|-------|
          She       took    you         back    too         late      and
 
 F#
|-------|-------|-------|-------|-------|-------|-------|-------|
 now       you       ne - ver          e     -     ven       call.
 
 C#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 Did       you       take      that      mon - ey          drawer    while
 
 F#
|-------|-------|-------|-------|-------|-------|-------|-------|
 she       was       praying?
 
 G#m
|-------|-------|-------|-------|-------|-------|-------|-------|
          They      said      you       dis - ap     -      peared
 
 F#
|-------|-------|-------|-------|-------|-------|-------|-------|
 just      like      wa    -     ter       down      a         drain.
 
 
(chorus)
 C#m             Dm+E         F#
|-------|-------|-------|-------|-------|-------|-------|-------|
                                  Why'd     you       call      me?
 
 G#m             Am+B         C#m
|-------|-------|-------|-------|-------|-------|-------|-------|
                                  Must      be        bad.
 
 C#m             Dm+E         F#
|-------|-------|-------|-------|-------|-------|-------|-------|
                                  Dis    -    ap     -    point - ed
 
 G#m             Am+B         C#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 man.                              Where've you      been?
 
 C#m             Dm+E         F#
|-------|-------|-------|-------|-------|-------|-------|-------|
                                  Hide      your -    self      so
 
 G#m             Am+B         C#m
|-------|-------|-------|-------|-------|-------|-------|-------|
 well                              in        this      city.
 
 C#m             Dm+E         F#
|-------|-------|-------|-------|-------|-------|-------|-------|
                                  Dis    -    ap     -    point - ed
 
 G#m             Am+B         C#m (hold for count)
|-------|-------|-------|-------|-------|-------|-------|-------|
 man.
 
C#m    /    /    /    /    /    /    /    F#    /    /    /    /    /    /    /
 
C#m    /    /    /    /    /    /    /    F#    /    /    /    G#m /    /    /
 
 
(2nd verse)
C#m                                   F#
Did you sell your father's ring so you could stay one more night?
 
G#m                            F#
It shone like his glass eye in the worn, velvet case.
 
C#m                                  F#
Did you fill this hired room with guilty words?
 
G#m                       F#
Your white piano hands flutter like poisoned birds.
 
 
(chorus)
C#m     Dm+E     F#                         G#m     Am+B     C#m
                Why'd you call me?                    Must be bad.
 
C#m     Dm+E     F#                         G#m     Am+B     C#m
                Disappointed man                      where've you been?
 
C#m     Dm+E     F#                         G#m     Am+B     C#m
                Hide yourself so       well             in this city.
 
C#m     Dm+E     F#                         G#m     Am+B     C#m
                Disappointed man                      where've you been?
 
C#m     Dm+E     F#                         G#m     Am+B     C#m
                Disappointed man                      where've you been?
 
C#m     Dm+E     F#                         G#m     Am+B     C#m (hold)
                Disappointed man.
 
--
                                                                    ~    ~

 Concurrent Technologies Corporation           814/269.2633           --+--
                                                                   NI|KA
 
From rec.music.makers.guitar.tablature Mon Apr 24 18:21:22 1995

Date: 24 Apr 1995 11:07:30 -0400
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Freedy Johnston: This Perfect World, 12/12
 
 
Here's cut #12:
 
         I Can Hear The Laughs - Freedy Johnston
         From "This Perfect World"

                 (no warrantees expressed or implied - have fun)
 
 
(intro)
 D#                 Gm               A#
|-------2-------3-------4-------|-------2-------3-------4-------|
 
 D#                 Gm               A#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 Fm                               G#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 Cm                               G#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
(1st verse)
 D#                 Gm               A#
|-------|-------|-------|-------|-------|-------|-------|-------|
 You     can         really            fall,                     wake
 
 D#                 Gm               A#
|-------|-------|-------|-------|-------|-------|-------|-------|
 up        in a      ruined            house,
 
 Fm                               G#
|-------|-------|-------|-------|-------|-------|-------|-------|
 wrapped up        in    a             torn -    down      curtain.
 
 Cm                               G#
|-------|-------|-------|-------|-------|-------|-------|-------|
                                                            And
 
 D#                 Gm               A#
|-------|-------|-------|-------|-------|-------|-------|-------|
 when    I           get    to           Hell                      will the
 
 D#                 Gm               A#
|-------|-------|-------|-------|-------|-------|-------|-------|
 love    - ly        girls     come      down                      to the
 
 Fm                               G#
|-------|-------|-------|-------|-------|-------|-------|-------|
 banks             of        that      red       red       river?
 
 Cm                               G#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
(chorus)
 A#                                 D#
|-------|-------|-------|-------|-------|-------|-------|-------|
 I         can       hear      the       laughs            when    they
 
 A#                                 D#
|-------|-------|-------|-------|-------|-------|-------|-------|
 find      I've      fall    - en        down      a     -     gain.
 
 G#                                 Gm
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
 A#
|-------|-------|-------|-------|-------|-------|-------|-------|
 
 
 A#                                 D#
|-------|-------|-------|-------|-------|-------|-------|-------|
 I         can       hear      the       laughs            and it
 
 A#                                 D#
|-------|-------|-------|-------|-------|-------|-------|-------|
 hurts     so        bad       I         have      to        smi    -    le.
 
G#    /    /    /    /    /    /    /
 
A#    /    /    /    /    /    /    /
 
G#    /    /    /    /    /    /    /
 
A#    /    /    /    /    /    /    /
 
G#    /    /    /    A#    /    /    /
 
 
(2nd verse)
D#         Gm      A#
You can take a lot.
 
D#          Gm     A#
Put back not a thing.
 
Fm               G#                   Cm           G#
Still come home lookin' thinner.
 
     D#        Gm      A#
And when I get to Oz,
 
          D#        Gm          A#
will the lovely witch come down
 
     Fm             G#                Cm           G#
and kiss my pale, bleeding brow?
 
 
(chorus)
A#                D#
I can hear the laughs when they
 
A#                  D#
find I've fallen down again.
 
G#    /    /    /    Gm    /    /    /
 
A#    /    /    /    /    /    /    /
 
A#                D#
I can hear the laughs and it
 
A#                D#
hurts so bad I have to smile.
 
G#    /    /    /    /    /    /    /    A#    /    /    /    /    /    /    /
 
G#    /    /    /    /    /    /    /    A#    /    /    /    /    /    /    /
 
G#    /    /    /    /    /    /    /    A#    /    /    /    /    /    /    /
 
 
(chords repeat and fade out)
G#    /    /    /    /    /    /    /
 
A#    /    /    /    /    /    /    /
 
G#    /    /    /    Gm    /    /    /
 
A#    /    /    /    /    /    /    /
 
--
                                                                    ~    ~

 Concurrent Technologies Corporation           814/269.2633           --+--
                                                                   NI|KA

Contents
  1. 1. Chord Gitar Freedy Johnston - This Perfect World Album Kunci Dasar - Chords.id (Nada Dasar C#)
  2. 2. Ganti Chord Gitar Freedy Johnston - This Perfect World Album Kunci Dasar - Chords.id (Nada Dasar C#)
  3. 3. Author Lagu Andra Ramadhan
Lagu Chord Gitar Freedy Johnston - This Perfect World Album Kunci Dasar - Chords.id (Nada Dasar C#) diatas adalah lagu yang dinyanyikan oleh Freedy Johnston dengan genre Rock dengan bahasa English, Lagu diatas di kirim oleh Andra Ramadhan pada Saturday, 27 Nov 2021 | 05:09
Bagikan Chords / Lirik Lagu ini ke teman-temanmu :