Verse
D#m F# B G#
Synapse to synapse: the possibility's thin.
D#m F# B G#
I'm dressed up for free drinks and family greetings
D#m F# B G#
on your wedding, your wedding, your wedding date.
D#m F# B G# D#m F# B G# D#m F# B G#
The figures in plastic on the wedding cake that I took were so real.
D#m F# B G#
And I kept distance: the complications cloud
D#m F# B G#
the postcards and blips through fiber optics,
D#m F# B G#
as the girls with pigtails were running from little
D#m F# B G# D#m F# B G#
boys wearing bow ties their parents bought them: "I'll catch
D#m F# B G#
you this time!"
Chorus:
A# G# D#m F# B G#
Crashing through the parlor doors, what was your first reaction?
A# G#
Screaming, drunk, disorderly: I'll tell you mine.
D#m F# B G# D#m F# B G#
You were the one, but I can't spit it out when the date's been set.
D#m F# B G# D#m F# B G#
The white routine to be ingested inaccurately.
Second Verse:
D#m F# B G#
Synapse to synapse: the sneaky kids had attached
D#m F# B G#
beer cans to the bumper so they could drive
D#m F# B G#
up and down the main drag.
D#m F# B G#
People would turn to see who's making the racket.
D#m F# B G#
It's not
D#m F# B G#
the first time.
D#m F# B G#
When they lay down the fish will swim upstream
D#m F# B G#
and I'll contest, but they won't listen
D#m F# B G#
when the casualty rate's near 100%,
D#m F# B G# D# F# B G# D#m F# B G#
and there isn't a pension for second best or for hard-----ly moving...
Chorus:
A# G# D#m F# B G#
Crashing through the parlor doors, what was your first reaction?
A# G#
Screaming, drunk, disorderly: I'll tell you mine.
D#m F# B G# D#m F# B G#
You were the one, but I can't spit it out when the date's been set.
D#m F# B G# D#m F# B G#
The white routine to be ingested inaccurately.
D#m F# B G# D#m F# B G#
You were the one, but I can't spit it out when the date's been set.
D#m F# B G# D#m F# B G#
The white routine to be ingested inaccurately.
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