Intro
C# F#
C# D#m
Why do you speak with that accent now?
B F#
Everyone knows you're not from the streets.
C# D#m
You went to prep school in Cambridge,
B F#
With daughters and sons of the privileged elite.
C# D#m
Their fortunes from shipping and industry,
B F#
Their futures in yacht clubs and tails.
C# D#m
So why do you speak with that accent now?
B D#m
Everyone knows you're moonlighting here.
B
To avail yourself of your heritage,
F#
For a season or two in the sun.
C#
Draw well from the funds in the trust,
D#m
Thanks to the fathers of fortunate sons,
B
For us it's a matter of charging the gates
F# C#
For you it's a matter of blood and connections
F# C# F#
Of blood and connections.
C# D#m
So who do you fool with that costume now?
B F#
Everyone knows you're not who you seem
C# D#m
You've got a hard way about you
B D#m
For someone whose passage is already paid
B
By the sins and the schemes of your father
F#
And the infinite reach of his arm
C#
Draw well from the funds in the trust,
D#m
Thanks to the fathers of fortunate sons,
B
For us it's a matter of charging the gates
F#
For you it's a matter of blood
C#
Drink well from your bottomless cup
D#m
And bask in your good fortune
B
For us it's a matter of charging the gates
C# D#m
For you it's a matter of blood and connections
F#
So where will you be when you tire of the fun
B
The escape, the charade, and your time in the sun
F#
I know everyone does their own reinvention
C# D#m
But yours has a taste that's hard to swallow
F#
And what will you tell of your tenure with us?
B
Will you build yourself up, like the size of your hunt?
F#
If they're anything like what you've been telling us,
C#
Those stories will make true believers
F#
Of the chumps and the fools.
C# D#m
So why do you speak with that accent now?
B F#
Everyone knows you're not from the streets.
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