Verse
F5 A#5 G5 D5
I have nothing but questions
A#5 C5 G5
I need answers, those would fill me up
F5 A#5
I know when I'm being catered to!
G5 D5
I know when I'm being catered to!
A#5 C5 G5 Gm
I will not settle for the lowest common denominator!
[Pre-Chorus 1]
F A# Gm Dm
Hello my friend, we have been waiting for you for a long time
A# Gm
We have reason to believe that your soul is just like ours
F A# Gm Dm
Did you ever get the feeling you were just a little different?
A# C Gm
Well, here is our web page, you've finally found a home
[Chorus 1]
F D#
Good people give good advice
Dm D# F Gm
Get a job, eat an apple, it'll work itself out
Am
It's a phase (It's a phase!)
A#
It's chemistry (It's chemistry!)
Gm
It's your own fault (It's your own fault!)
A#
Well don't listen to us
D#
We're just people too
[Verse 2]
F5 A#5 D5
I've been waiting all my life
A#5 C5 G5
I've been waiting for some real good porn
F5
Something with meaning
G5 D5
Something fulfilling
A#5 C5 G5
I'd like to make my shame count for something
[Pre-Chorus 2]
F A# Gm Dm
I feel so empty trying to explain this
A# C Gm
His name is William Onyeabor, he's from the 70s
F A#
And when I wake up in the morning
Gm Dm
There are people sleeping on my couch
A# C Gm
Well, I'll have something to say about that one
[Chorus 2]
F D#
Free people give free advice
Dm D# F Gm
Let go of the pain, let go of the fear
Am A#
But if I let go of that
Gm
What will still be here
A#
Will I find out
D#
That I am just people too?
[Outro]
first no chords, then:
Cm A# G# D#
(spoken)
Should I say that one more time?
Um, yeah, I mean, uh, the intent was to sort of go back to these periods and, and revisit them a little bit,
especially with Teens of Style. You know, with Teens of Denial it was sort of contemporaneous when
I was writing it. You know, and what I was experiencing at the time. And, uh, I guess I was just out
of my teenage years when I was writing things for Teens of Denial. I didn't really feel like anything
had changed. So, um, yeah I guess, you know, the two of those albums together are sort of, they're both
an exploration of past feelings and how they connect to the present and what I'm doing in the present tense
I'm sorry, you'll have to say that again
The connection must be bad. Um, can you try one more time?
Ahh. Um, when I was starting out, I, uh, recorded vocals in my car sometimes, uh, just for the sake of privacy
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