Intro
Gm(hold)
then
Dm F A# Dm F A# C
Dm F A# A
Dm F A# Dm F A# C
Dm F A# A
Verse 1:
Dm
I know I know I
should be better
A#
I think I am to
some degree I
Dm
can't explain why
F
it gets harder
A#
The more people
Gm Dm
count on me Maybe
it's all in my head
A# Dm
And nothing's changed
F
and I'm still in the
A#
basement With no
tattoos or
Gm
mortgage payments
Chorus 1:
A#
Well I'm not so
C
good with tenses
Dm F
I'm tensing up
C/E
thinking about
A# C
What I'm supposed
Dm F C/E
to call you now
A# C
It takes a lot
Dm
to shake me My
F
body breaks to
C/E A#
figure out How
C
to leave the past
A/C#
behind When it
Dm
surrounds all of
A#
the time And I don't
C
know what I should
Dm F A# Dm
call you now
F
I don't know
A#
what I should
C Dm F A# A Gm(hold)
call you now
Verse 2:
Dm
I don't believe
that anyone runs
A#
From their past
Dm
so easily Unless
they run towards
F A#
someone else
and I've seen you
Gm Dm
lacing up for years
I guess your future
A#
looks great Well
Dm
good for you You're
F
still my inspiration
A#
But less in tune
Gm
and more abrasive
Chorus 2:
A#
Well I'm not so
C
good with tenses
Dm F
I'm tensing up
C/E
thinking about
A# C
What I'm supposed
Dm F C/E
to call you now
A# C
It takes a lot
Dm
to shake me My
F
body breaks to
C/E A#
figure out How
C
to leave the past
A/C#
behind When it
Dm
surrounds all of
A#
the time And I don't
C
know what I should
Dm F A# Dm
call you now
F
I don't know
A#
what I should
C Dm F A# A
call you now
Bridge:
Dm
Ex sounds dirty
A#
I can't say it
F
Sounds so final
C
and I'm still
Dm
praying For the
A#
words for the
F
better Nothing
C
now just two
Dm
letters I hope
A# F
you understand
C
I'm not prepared
Dm
to call you
A# F C
just a friend
Chorus 3:
A#
Well I'm not so
C
good with tenses
Dm F
I'm tensing up
thinking about
A# C
What I'm supposed
Dm F
to call you now
A#
Well I'm not so
C
good with tenses
Dm F
I'm tensing up
C/E
thinking about
A# C
What I'm supposed
Dm F C/E
to call you now
Chorus 4:
A#
Well I'm not so
C
good with tenses
Dm F
I'm tensing up
C/E
thinking about
A# C
What I'm supposed
Dm F C/E
to call you now
A# C
It takes a lot
Dm
to shake me My
F
body breaks to
C/E A#
figure out How
C
to leave the past
A/C#
behind When it
Dm
surrounds all of
A#
the time And I
don't know what
C
I should call
A/C#
And I don't
Dm
know what I
should call
A#
And I don't
C
know what I
A/C# Gm(hold)
should call you now